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Over the course of the night, both mother and son encounter strange and ominous figures, misinterpret their su Set in a village on the outskirts of northern Norway, Love tracks the lonesome paths a mother and her young son take over the course of a single winter's night.

Over the course of the night, both mother and son encounter strange and ominous figures, misinterpret their surroundings, and yearn for affection.

The similarity of the two desolate odysseys, though, only accentuates their one glaring difference: Jon obsesses over where Vibeke might be, whereas Vibeke neither thinks of Jon nor realizes that he isn't still at their house.

Against the backdrop of Vibeke's neglect, the story becomes increasingly sinister, and Love ends on a note of despair.

View all 5 comments. Eerie story involving a mother and son. A thin layer, below the surface of the events that transpire, reveals the sense of something being not quite right.

A mother who is so very self absorbed imagining and filling in the blanks of her life with how she wants the story to go. Her son, so lost and alone, prefers to leap into life with faith in the belief his mother has shared with him, that there is good in everyone.

On the surface things move along during this one bitter cold night. Cold to you Eerie story involving a mother and son. Cold to your soul kind of night.

This is such an expressively brilliant very short novel with a nightmarish style. The writer shares details with an up close and wicked hand.

You are right there in that frozen night chilled to the end. View all 10 comments. Shortlisted for the Republic of Consciousness Prize Another very impressive book from the RofC list, this short novel is a beautifully controlled piece of storytelling set in a single winter evening in northern Norway.

The two main characters are Vibeke, a lonely single mother who has recently arrived in the small village, and her son Jon, who is looking forward to his ninth birthday the following day.

The narrative alternates between them, often several times in the same short chapter, as th Shortlisted for the Republic of Consciousness Prize Another very impressive book from the RofC list, this short novel is a beautifully controlled piece of storytelling set in a single winter evening in northern Norway.

The narrative alternates between them, often several times in the same short chapter, as they each go out separately into the dark snowy night.

View 1 comment. For such a short work, this is a challenge to read. The story of a mother and son in the coldest time of year in the coldest region of Norway, the narrative moves between Vibeke and Jon, even though they are not in the same location as the story goes on.

My reading process went something like read two-three paragraphs, then backtrack one to pick up the alternate character to figure out what is going on.

I'm not sure I always understood where I was. Is this translation or in the original work? Th For such a short work, this is a challenge to read.

That is uncertain. There are elements of deep foreboding and danger, but because of the strange unique?

For instance at one point I'm pretty sure Jon is in the trailer? And he gets in the car with a stranger. Part of my other confusion is the beginning of the novel, when Jon is at home waiting for Vibeke to come home, I read him as an older man, possibly her father or someone she worked for as a nurse or aide, that I was pretty confused when I understood him to be eight.

There's a night circus does this really happen in the cold or was this another imagined thing? She also ends up in possible danger, but her attitude doesn't make it seem so.

She is smoking, and smiling, and seems up for whatever, forgetting that she has a child at home. So is this night a binging of singleness amidst the stress of parenting a child alone?

Or is it something else entirely. So I end the book completely unsure of what I read or what I got out of it.

I didn't mind having to work hard, but I am not sure what the answers are. Thanks to the publisher, the marvelous Archipelago Press, for providing early access to this title through Edelweiss.

It is available 13 February Shelves: netgalley , translated-literature , literary-fiction. Yet it is to a bleak little village in this region that Vibeke moves with her eight-year-old son, Jon, in order to make a fresh start.

The story begins as the circus arrives, on the eve of his birthday. Both mother and son are intense, cerebral individuals, who lose themselves in daydreams, and struggle to communicate their thoughts and feelings to others - she chain-smokes, he continually blinks.

The greatest void, however, is between the two of them, and they seem to view each other from opposite sides of a wide crevasse.

There is love adoration on his part , but it is ill-defined, unfocused. She wishes she could read all the time, sitting in bed with the duvet pulled up, with coffee, lots of cigarettes, and a warm nightdress on.

It is an existential novel, with narratives drifting back and forth between Vibeke and Jon - they all but merge when either one or both of them become anxious.

Has anything significant been lost in translation? I think there probably has, but as an inveterate unilingual English-speaker I simply cannot judge.

Nevertheless, I am able to say with certainty that Love is an intelligent, thoughtful, if melancholy tale, which demonstrates what can happen if we become too internalised and fail to be mindful of those we love.

View all 4 comments. Verbeke, a single mom, and Jon, her eight-year-old, have recently moved to a new town in Norway, and are feeling their way into new lives.

Verbeke and Jon are like two ships passing in the night. She is preoccupied by her new job, finding a man, finding clothes that fit sexily.

They each go off into that night; they each meet new people. The reader is on the edge of her seat, feeling a vague sense of dread: is this or that person a threat, or not?

Where is—what is—the danger that permeates this fateful night in the lives of Verbeke and Jon? The echoes reverberating between their points of view skew the unease into a rich, ominous blur.

A very creepy short novel that does an excellent job of ratcheting up the tension as it goes along; so much of it depends on such atmospherics, since the only true 'danger' is one that comes from the inside perhaps the titular emotion?

The unusual structure, in which alternating narratives about a self-absorbed mother and her soon to be nine year old son dovetail, so that the reader is often not aware when one shift A very creepy short novel that does an excellent job of ratcheting up the tension as it goes along; so much of it depends on such atmospherics, since the only true 'danger' is one that comes from the inside perhaps the titular emotion?

The unusual structure, in which alternating narratives about a self-absorbed mother and her soon to be nine year old son dovetail, so that the reader is often not aware when one shifts to the other, is quite effective.

I decided to read this book because I knew it took place in winter and while we still have snow on the ground here in New England I figured I better get to it.

Spring might actually arrive by May! This is such a strange book. They have just recently moved to a small northern town in Norway.

Jon adores his mother and Vibeke seems a bit distant and cold when it comes to her son. She wants to spend her time reading, shoppi I decided to read this book because I knew it took place in winter and while we still have snow on the ground here in New England I figured I better get to it.

She wants to spend her time reading, shopping, working, fantasizing of men, and making sure she always looks beautiful.

She doesn't really think Jon and his stories make any sense and she'd rather he just go play by himself and not bother her. Jon's 9th birthday is tomorrow and he dreams of a brand new train set and his mother to bake him a cake.

Vibeke doesn't even remember it's his birthday. Jon has tickets to sell for his Sports Club and leaves the house unbeknownst to Vibeke. Vibeke meanwhile has decided to get herself all prettied up to head to the library.

As she leaves the house she calls out to Jon not waiting for a response and not realizing he isn't even in the house. We then follow both Vibeke and Jon as they make their way through the night and the strangers they encounter.

Both of them are overly trusting. An atmosphere of dread prevails through out the entire novel. I'm not so sure what to make of the ending.

It allows the reader to draw their own conclusion. Sadly, what I took away from it was truly heartbreaking.

I want nothing more than to give my son the biggest hug right now. Just to note, the way the story is presented can be confusing at first. One paragraph to the next we're either inside Vibeke or Jon's head without anything to distinguish the change which took me a bit to get used to.

Jon stands in the doorway looking at her. He tries not to blink. A book in her lap. A book, the bright light of the floor lamp. Her long, dark hair fans out over the back of the chair, trembling almost imperceptibly.

Stroke my hair, Jon. The English translation, Love, by Martin Aitken came out in in the US via Archipelago and has already obtained significant prize success, the book a Finalist i.

It has now been published in the UK by another excellent independent publisher, And Other Stories and shortlisted for the Republic of Consciousness Prize.

Aitken translates from both Danish and Norwegian. What we have, in the end, with Love, is an extraordinary translation of an uncannily singular novel, one which the judges will be savoring for many years to come.

Love is a short but highly atmospheric novel. She could have done without the TV too, I never watch it, she tells herself, but Jon would have minded.

She gives a wide berth to an old woman waddling along pulling a gray trolley behind her on the icy road. She turns them on.

Jon tries not to blink. He kneels on his bed and peers through the window. Everything is still. He tries to keep his eyes open and calm, fixed on the same spot outside the window.

There must be at least a meter of snow. Under the snow live the mice. They have pathways and tunnels. They visit each other, Jon imagines, maybe they bring each other food.

The sound of the car. And no sooner has he heard the car than he sees it too, from the corner of the window, her blue car coming around the bend behind the banks of snow, and she turns in at the house and drives up the little slope to the front door.

This abrupt cutting between the narration from Vibeke's perspective and that of Jon is a feature throughout the novel.

Their two lives, both searching for love, seem to run in parallel, close but never quite converging.

Jon is lonely, constantly thinking of his mother, daydreaming and trying to control his blinking habit. But Vibeke is also lonely - we learn she recently divorced from her husband and moved with Jon to this remote Norwegian village 4 months earlier - thinking more about companionship than her son.

Her nail polish is pale and sandy with just a hint of pink. She likes to be discreet at work. She remembers the new set that must still be in her bag, plum, or was it wine; a dark, sensual lipstick and nail polish the same shade.

To go with a dark, brown-eyed man, she thinks with a little smile. The novel unfolds over just one extended evening.

Jon, assuming his mother will be preoccupied with preparations for his birthday goes out for a walk: his mother also goes out, but not in search, as Jon assumes, of eggs for a birthday cake.

Both end up falling in with strangers - a travelling fair is in town - and there is a brooding sense of something sinister always about to materalise on the next page, but which never quite does so.

There is a great review here by enricocioni which contrasts the parent child relationship to two other wonderful translated novels, Die by Love and Fever Dream.

An excellent novel, with a heartbreaking ending, and surely a strong Booker International contender. As a bonus, Vibeke is a keen reader and has some excellent asides on the topic: Her preferred reading habit and frequency: She gets through three books a week, often four or five.

She wishes she could read all the time, sitting in bed with the duvet pulled up. On returning books to the library, out of hours: She drops the books through the return slot.

It almost hurts to let go, the way they splay out in the a heap on the floor. The category is one she tends to avoid. Sometimes the jump between narrative threads is obvious.

At other times, the first sentence or so of a paragraph could belong with the previous one but the reader suddenly becomes aware that we have switched to the other thread.

The tension the book generates comes from two sources. Firstly, everything that happens feels like the precursor to something dreadful.

As events then repeatedly turn out to NOT be leading to something dreadful, the suspense grows and the reader begins to long for something bad to happen to release the anxiety.

PS You will have to read the book for yourself to discover what, if, of course, anything resolves the tension.

Jon believes his mother will be busy preparing a cake for his birthday the next day, so he takes a walk in the snow outside.

However, where Jon is almost permanently thinking about his mother, Vibeke, on the other hand, rarely gives Jon a thought. She also goes out for the evening.

His mother is searching elsewhere for love. At the fairground, Vibeke encounters a white-haired lady and then meets Tom whom she stays with for several hours.

What makes this book memorable is the continuous sense that something sinister will happen on the next page.

This is a very short book that can easily be read in a single sitting assuming you have the kind of lifestyle that allows you to set aside periods of time for reading - my Kindle tells me the average time required to read the book is marginally under 2 hours.

Vibeke would form an opinion about you based on how long it took you to read the book. They are set up as a not-for-profit Community Interest Company and operate on a subscriber model — with subscribers of which they now have around in 40 countries committing in advance to enable the publication of future books.

The book ostensibly tells the story of a single Mum, Vibeke and her eight year old child Jon — they have recently moved to a small, remote Norwegian town — Vibeke is an Arts and Culture officer at the local authority.

Flush with the success of her first presentation Vibeke decides to go into the village, initially to visit the library but then distracted by a travelling funfair, where she decides to go with one of the workers into the nearby town.

Jon, convinced that his Mum is preparing for his birthday, goes for a walk around the village, following an older girl back to her house where the two fall asleep together and then finding the house locked around midnight walking some more.

At the fair, Vibeke meets an eccentric woman selling cuddly toy tombola tickets, and the same woman later picks up the wandering Jon.

The quote with which I open my review is on page 17 and immediately after even thought its unspoken Jon does go out never to return.

And there seems to be a clue to the incongruity of this interaction when Jon an 8 year old as a reminder takes his first drag on a cigarette and does not cough.

All of which I think leads to the more obvious conclusion — that the book is more of a fantasy and that perhaps Jon does not exist as a character, a theory which is also supported by the over-heavy use of perfectly remembered dream sequences in the book which is never a literary device that I enjoy.

Despite my reservations, this is an absorbing novella and one what has already won several award nominations in the US and I can see it making the RoC shortlist.

The story concerns Vibeke and her son Jon who have recently moved to small town in the north of Norway. This produces the curious effect of a synchronicity and connection between the two so the border between them appears to blur.

A self-absorbed mother paints her nails and pursues a mildly interested carny while ignoring and neglecting her 9 year old son.

The boy roams around town in the middle of the night in a disturbing series of random events. This is an eerie tale of view spoiler [almost hide spoiler ] disaster.

A carny, a white wig, a nightclub, ice skates, snow snow snow. The tension grew and then I wondered, was it all a dream?

I was thus very much looking forward to reading another of Orstavik's novellas, Love. It is set in the north of Norway, but aside from excessive snow, there was actually relatively little Norwegian culture included, which was a real shame.

The novella is involved in the minutiae of life, and not a great deal of plot exists within it; rather, Love is more of a character st I really enjoyed Hanne Orstavik's The Blue Room , published a few years ago by Peirene Press in its first English translation.

The novella is involved in the minutiae of life, and not a great deal of plot exists within it; rather, Love is more of a character study.

I liked the way in which Love was told, with the stories of both mother and son being chopped at intervals and told simultaneously. I found myself engaged and interested, but could only award it three stars overall as it really felt as though it was building towards a conclusion which never came.

There was a visible tension in Orstavik's prose as it continued, but it tapered off into nothingness; the something momentous which it was building up to never reached that point in actuality.

Love was therefore a little disappointing to me, but I still look forward to seeing which of Orstavik's books will be translated into English next.

Jon is looking forward to his 9th birthday, which will occur the following day. Vibeke is clueless, focusing on her new job in their new town.

The Norwegian weather is cold and dark. Did I say cold? I mean frigidly cold! With those key elements, Orstavik builds the tension until you really want to flip to the end.

You hope against hope that it will reveal that this charming, imaginative 8-year-old boy will have the party, cake and presents he deserves. Orstavik is excellent at setting the dark tone, developing memorable characters that will haunt you.

A short book about a mother and son who pass each other through the course of wandering about town on a single night. The son thinks often about his mother, who has other things on her mind.

There is also a foreboding sense of danger throughout the story that is subtly created by the author. This is on the NBA shortlist for translated fiction.

It was translated by Martin Aitken. Hopefully more of her books will be published in the future. Love follows the nocturnal wanderings of mother and son, Vibeke and Jon, over one night in their lives.

Vibeke is a single mother who has recently moved to town with her eight year old son, Jon. Vibeke works as an Arts and Culture Officer in a local authority and she likes reading, getting through at least three books a week.

The whole book is told from both Vibeke's and Jon's perspective, flitting back and forth, so that we get to experience their thoughts and actions concurrently.

It's an highly effective technique. The story begins with Vibeke returning from work on the eve of Jon's ninth birthday.

Here's an example of Jon's thoughts as he waits for his mother to return from work: The sound of the car. When he's waiting he can never quite recall it.

I've forgotten, he tells himself. But then it comes back to him, often in pauses between the waiting, after he's stopped thinking about it.

And then she comes, and he recognizes the sound in an instant; he hears it with his tummy, it's my tummy that remembers the sound, not me, he thinks to himself.

And no sooner has he heard the car than he sees it too, from the corner of the window, her blue car coming round the bend behind the banks of snow, and she turns in at the house and drives up the little slope to the front door.

We realise early on that Jon is used to being by himself, he's introspective and has an active imagination and curiosity about the world around him.

Jon also has trouble with blinking as his eye muscles start to spasm at random moments. It's difficult not to feel some affection for the boy.

When Vibeke returns she is thinking of her new job and getting a meal ready for the two of them. Even when they're eating there is little interaction between themselves, they seem to be quite isolated in their thoughts.

Jon thinks of school, the neighbours, his birthday the following day whilst Vibeke thinks of work, clothes she wants to buy and books she's reading.

Even when she does show some attention to her son she is soon sidetracked by thoughts of herself. She reaches out and smoothes her hand over his head.

The bulk of the novel takes place once Jon leaves the house, he has some raffle tickets for a sports club that he wants to sell to some of the neighbours.

He leaves the house and soon after Vibeke leaves intending to return some books to the library, however she is unaware that Jon is no longer in the house.

First off Jon knocks on the door of an old man who lives opposite him. He is invited in, the man offers to buy all the tickets then thinks of something and invites Jon down to the cellar.

At this point we, the reader, are picturing that all sorts of horrible things will happen, especially when Jon notices, quite innocently, a dog collar and chain hanging from a hook in the ceiling.

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